He accuses Desdemona of infidelity. Though Desdemona denies it, Othello is not convinced. Othello believes he has no other way to resolve his doubt than to murder Desdemona. The feeling of betrayal by Desdemona who he trusts is one of the most hurtful emotions Othello can feel. His jealousy turns into anger and he ends up killing himself and Desdemona. Jealousy is the major reason that causes Othello to become a tragic hero. Another cause that leads Othello to be a downfall on hero is his insecurity.
Othello is an outsider who is intelligent and confident in military matters but socially insecure. He leads an intense life, swinging between triumph and dread. Othello is different from those around him, due to his origins and his life history, but he shares their religion, values, and nationalism to Venice.
More importantly, Othello is visibly different due to the color of his skin, so he lives constantly among, but separated from, other people. Whenever they look at his black face, however brilliant a general he is, he knows the others are thinking that he is not really one of them.
Shakespeare presents this fact in the dialogue and also in the staging of the play. Othello is referred to as The Moor a representative African, while others go by their personal names and are seen as independent individuals. White is honor, black is wickedness; white is innocence, black is guilt. Thus, throughout the play Othello feels insecure. Othello is a tragic hero because of his tragic flaw.
There are many undesirable traits in Othello, like his jealousy and gullibility. However, the core of these problems and his main tragic flaw is his insecurities. Othello being the only black character and an outsider in Venice brings upon many insecurities.
Oh, curse of marriage That we can call these delicate creatures ours And not their appetites! Iago was easily able to convince Othello that Desdemona has been unfaithful. What makes Othello a tragic hero is he experiences a tragic downfall. He treats his wife with little to no respect and eventually smothers her to death. In Shakespeare, as in the Bible, the misfortunes that are objective in their source are never moral in character.
Romeo and Juliet were undoubtedly "the victims of the animosities of their parents," or in other words were the victims of social conditions for which they were personally in no way responsible. About their misfortunes, however, there is not the slightest suggestion of retribution, and as Carlyle long ago observed, their apparent defeat is really a moral victory. But it is very different with Othello and Desdemona, for there is an element of retribution in their misfortunes.
The play explicitly depicts them as the authors of all the elements of their social conditions that give rise to their conflicts and subsequent misfortunes. It should be remembered that Othello was not a son of Venice, but a foreigner, and moreover a foreigner of a different race and color, with all that means of divergence of mind and character.
Moreover, there was no conflict between Romeo and Juliet, for their love was perfect, but the conflict was between their united and unwavering love and the hostility of their families. In the case of Othello and Desdemona he conflict becomes acute and finally fatal between husband and wife, and from this the play takes its character of a hapless mismarriage.
All these unsuccessful attempts to understand the drama come from long-continued but erroneous habits of interpretation. The plays have been treated as if they were historical documents and not works of poetic imagination. Historical documents have to be evaluated by the student, and often parts are judged to be unauthentic and hence of little or no value. But literary products cannot be treated in this manner, for every word of a great poet has been elaborated with turious care and is of value to the whole, and cannot be ignored.
Some critics who regret that we have no external comments of Shakespeare upon his plays persistently ignore the numerous comments the dramatist has made within the plays.
It must be claimed that Shakespeare's dramatic methods are not subtle and elusive, but pre-eminently artistic and open. They are indeed so artistic that they have concealed his art, and unfortunately have also concealed his mind from us.
We have steadfastly overlooked even his most obvious attempts to make his meaning clear, and have missed all his own comments, which are the best keys to his plays. We have, moreover, explained away his own very plain words, we have ignored his conduct of the plot of the dramas, and have refused to accept as part of his plan the very issues of the plays themselves that he has elaborated with such unequalled skill.
No wonder if we have begun to think perhaps after all the plays have no meaning to be discovered. Let us begin, then, our study of this play by observing very carefully whatever comment Shakespeare has made upon it. In the very title, Othello, the Moor of Venice , we have the dramatist's comment that the play is to be the story of a certain Moor, Othello, who had abandoned his native land and had taken up his residence and life in the Italian city of Venice.
In doing this Othello had left his native Africa, or Spain, 4 and undertook to live his life in Venice. The Moors of both Africa and Spain were looked upon by Englishmen and other Europeans as barbaric or semi-barbaric, while the Venetians were looked upon as the most civilized and cultured people of Europe. Now if Shakespeare had any aptness in giving titles to his plays, and did not add mere idle words, the play must be considered "primarily a study of a noble barbarian who had become a Christian.
His chief argument against it, however, is that it is not like Shakespeare, adding that "To me it appears hopelessly un-Shakespearean. But this recent imaginative criticism has given us a new Othello, a new Hamlet, and verily a new Shakespeare; and instead of the vision and the faculty divine of the great dramatist we have the fancies of the critics.
Looking at Othello as a Tragic Hero Essay example Words | 5 Pages. Looking at Othello as a Tragic Hero "Killing myself, to die upon a kiss." Othello's death brings a sense of justice to the play, one of the main forms and conventions of a tragedy. But if 'Othello' is a .
Othello- a tragic hero essays Tragedy is defined as a drama or literary work in which the main character is brought to ruin or suffers extreme sorrow, especially as a consequence of a tragic flaw. This tragic flaw is inborn to the main character.
Othello - The Tragic Hero Essay Words | 4 Pages. Othello: The Tragic Hero In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. Othello is the one at fault for the terrible events in the play. In order to fully understand what a tragedy is one must understand the characteristics of what a tragedy and a tragic hero is according to Aristotle. Aristotle indicates that in order to be a tragic hero is not perfect; the character is fallible.
Othello is a tragic hero because of his tragic flaw. There are many undesirable traits in Othello, like his jealousy and gullibility. However, the core of these problems and his main tragic flaw is his insecurities. Othello term papers (paper ) on Othello The Tragic Hero: Othello: The Tragic Hero In William Shakespeare s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his s. Term paper